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编者按：中国功夫，手脚一种根植于中国历史与文化泥土的独到体格形而上学，早已杰出单纯的格斗身手，成为中华英才贤人与价值不雅的不毛载体。随着中国与寰宇相关的日益良好，中国功夫手脚一张闪亮的文化柬帖，辞寰宇边界内掀翻“功夫热”。“汉语桥”全球冠军迪米特里（Vasetskii Dmitrii），恰是通过功夫深入中国文化的肌理，感知其博大深通的内在。这种跨文化的互动发达出：当中国功夫走出洋门，它便已成为全东谈主类共同的精神钞票。中国文化的独到魔力，也正在于此：它允许不同文化在各异中寻找共识 日本片商，在对话中丰富彼此。

“人人好，我叫迪米特里，来自俄罗斯。”采访初始，迪米特里主动地用汉文作念了自我先容。坐在他驾御的Rustam Asadchikov，Rustam本年16岁，相似来自俄罗斯。诚然照旧是第二次到中国，两东谈主对这片地皮的风土情面依然充满了好奇。“能再次来到中国，我极端欢悦。”Rustam浅笑着说。

图为Rustam（左）和迪米特里（右）领受采访现场

采访前，咱们得知迪米特里一直在学习中国功夫。咱们好奇地问他为什么会想学功夫。迪米特里想了想，说：“我看过一些相关中国功夫的电影，内部的气象让我印象久了。我以为那些动作很帅，充满了英英气概。”“不错给咱们展示一下吗？”咱们问谈。迪米特里清凉地管待了，并走到一旁初始饰演。他目光专注，动作干净利落。一套招式打完，咱们不由得为他饱读掌。

在迪米特里演示的历程中，对功夫不太老到的Rustam也在一旁随着迪米特里比划。尽管动作旷费，但他专注又快活的神心思染了每一个东谈主。“我不太会功夫，”他不好敬爱地说，“但我看到了迪米特里练武后的变化。这些动作简直自带一种力量！”

图为迪米特里（左）、Rustam（中）与采编东谈主员展示功夫动作

迪米特里和Rustam的现场响应，是中国功夫高大感染力的一个缩影。这种早先谈话和文化的即时共识，离不开数十年来功夫电影在全球边界内的深厚积淀。追念这一历程，李小龙无疑是始创性的东谈主物。他为中国功夫和中国电影的外西化发展作念出了不可消灭的孝顺，也让“Kungfu”一词得胜参加英语辞书。在他之后，成龙以幽默的饰演拓展了功夫的银幕魔力，李连杰和甄子丹则以专科武技和脚色深度，柬埔寨曝光群赋予功夫更丰富的现代抒发。他们共同构筑起中国功夫的外洋形象，使得功夫叙事成为全球流行文化的不毛分支。

在跨文化传播中，由于谈话和浮现的隔膜，信息继承者时常难以充分邻接源文化中的深层内涵，从而出现“文化扣头”。但这一表象在功夫电影中却得以放松。强横的视觉谈话、普世的豪杰主题以及动作自己的好意思学感染力，使其能够杰出谈话和浮现的隔膜，直击东谈主心。更不毛的是，这些电影不仅在传递感官刺激，更潜移暗化地向外输出了东方的形而上学念念想与伦理不雅念。它让寰宇通过最直不雅的相貌，感受到东方文化的魔力与深度。

图为《逐鹿中原》外洋版海报

大银幕上的光影传奇引发了大量像迪米特里这么的年青东谈主最初的意思，而的确的邻接，发生在他从不雅众变为引申者之后。“往常看《逐鹿中原》，我不是很邻接李小龙的‘无我’，”他坦言谈，“但在练武后，我渐渐体会到其中‘趁势而为’的贤人。”除此除外，迪米特里还学习到更多相关中国文化的试验：“抱拳礼”需要用左手掩右拳，这代表慈祥和谐；“五行拳”师法当然万物的形态与神韵，体现着天东谈主合一的六合不雅；“止戈为武”的理念则指向对和平的追求。这些无法仅凭谈话传递的文化主张，正通过技击这一具体的方法，悄然融入他的浮现。

像迪米特里这么通过学习功夫走进中国文化的异邦青少年还有好多。他们也许还不可精准地邻接动作背后的武学念念想，却在千里肩坠肘、呼吸吐纳之间感受到体格与心灵的和谐谐和。这种凭借体格挂牵已毕的文化共识，使功夫成为一种“寰宇谈话”，匡助来自不同文化配景的东谈主们找到与中国文化对话的独到相貌。

图为迪米特里饰演功夫现场

采访限制时，迪米特里默示：“我会赓续学习中国功夫的！”从他刚毅的目光里，咱们看到漂后向据说递的强鼎力量。在这个充满隔膜的时期，中国功夫以其独到的包容性，为不同漂后搭建起对话的桥梁。它不要修业习者排除我方的文化身份，而是邀请东谈主们在体格与心灵的互动中，创造出一个分享的邻接空间。省略这恰是中国功夫珍稀确现代价值——在谈话与招式除外，为东谈主类提供一种无需翻译的交流相貌，更以陈腐而深奥的东方贤人，为东谈主类共同濒临的窘境提供新的解题念念路。

撰稿东谈主：何博媛

Beyond Words: How Kung Fu Helps the World Understand China

Editor’s Note: Chinese kung fu, a unique physical philosophy rooted in China’s history and culture, has long transcended simple martial arts to become an important carrier of Chinese wisdom and values. As China's ties with the world grow closer, kung fu has become a shining cultural ambassador, sparking a "kung fu craze" globally. Vasetskii Dmitrii, a global champion of the "Chinese Bridge" competition, has delved deep into the fabric of Chinese culture through kung fu, grasping its profound and intricate inner meaning. This cross-cultural exchange shows that when Chinese kung fu goes global, it becomes a shared spiritual treasure for all humanity. This is precisely where the unique charm of Chinese culture lies: it allows different cultures to find common ground in their differences and enrich each other through dialogue.

"Hello everyone, my name is Dmitrii, and I'm from Russia." Dmitrii began the interview by introducing himself in Chinese. Sitting next to him was his friend, 16-year-old Rustam Asadchikov, also from Russia. Although it was their second time in China, both were still filled with curiosity about the country's customs and culture. "I'm very happy to be back in China," Rustam said with a smile.

Before the interview, we learned that Dmitrii had been studying Chinese kung fu. We were curious why he wanted to learn. Dmitrii thought for a moment before saying, "I've seen some movies about Chinese kung fu, and the scenes left a deep impression on me. I thought the movements were cool and full of heroism."

"Could you show us some?" we asked. Dmitrii readily agreed and stepped aside to perform. His gaze was focused, and his movements were clean and sharp. After he finished a set of forms, we couldn't help but applaud.

During Dmitrii's demonstration, Rustam, who wasn't very familiar with kung fu, began to mimic the movements. Although his motions were clumsy, his focused and excited expression was infectious. "I'm not very good at kung fu," he said, a little embarrassed, "but I've seen the change in Dmitrii after he started practicing. These movements truly have a power of their own!"

The immediate reactions of Dmitrii and Rustam are a microcosm of Chinese kung fu's powerful appeal. This instant resonance, which transcends language and culture, is due in no small part to the decades of global exposure through kung fu cinema. Looking back, Bruce Lee was undoubtedly a groundbreaking figure. He made indelible contributions to the internationalization of Chinese kung fu and film, and his success even led to the word "kung fu" being added to the English dictionary.

Following him, Jackie Chan expanded kung fu’s cinematic appeal with his comedic performances, while Jet Li and Donnie Yen gave it richer modern expressions with their professional martial skills and character depth. Together, they built kung fu's international image, making its narratives a significant branch of global popular culture.

In cross-cultural communication, "cultural discount" often occurs because language and cognitive barriers can prevent recipients from fully understanding the deeper meanings of the source culture. However, this phenomenon is weakened in kung fu films. The powerful visual language, universal heroic themes, and the aesthetic appeal of the actions themselves allow the films to bypass linguistic and cognitive gaps and speak directly to the heart. More importantly, these films don't just provide sensory stimulation; they also subtly export Eastern philosophical and ethical concepts, allowing the world to experience the depth and charm of Eastern culture in the most intuitive way.

The legends on the silver screen sparked the initial interest of countless young people like Dmitrii, but true understanding occurred when he transitioned from a spectator to a practitioner. "Before, when I watched Enter the Dragon（《逐鹿中原》）， I didn't fully grasp Bruce Lee's concept of 'selflessness,'" he admitted. "But after I started practicing, I gradually came to appreciate the wisdom of 'going with the flow' that's behind it."

Dmitrii also learned more about Chinese culture. He now knows that the Bao Quan Li （抱拳礼）, where the left hand covers the right fist, symbolizes humility and harmony. The Wu Xing Quan （五行拳） mimics the forms and spirit of nature, reflecting the cosmic view of "the unity of man and nature." The concept of Zhi Ge Wei Wu—which translates to "stop the war, become a martial artist"—points to the pursuit of peace. These cultural concepts, which cannot be conveyed through language alone, have quietly become part of his understanding through the concrete form of martial arts.

There are many foreign youths like Dmitrii who have entered Chinese culture by learning kung fu. While they may not yet precisely understand the martial philosophy behind each movement, they feel a harmonious unity of body and mind through the practice of lowering shoulders and elbows, and managing their breathing. This cultural resonance achieved through physical memory makes kung fu a "world language," helping people from different cultural backgrounds find a unique way to dialogue with Chinese culture.

As the interview concluded, Dmitrii said 日本片商, "I will continue to learn Chinese kung fu!" In his determined eyes, we saw the powerful force of civilization being transmitted outward. In an era filled with divisions, Chinese kung fu, with its unique inclusivity, builds a bridge for dialogue between different civilizations. It doesn't ask practitioners to abandon their own cultural identity but invites them to create a shared space of understanding through the interaction of body and mind. This might be the precious contemporary value of Chinese kung fu: beyond language and movements, it provides humanity with a way to communicate without translation and offers new solutions to shared human dilemmas through ancient and profound Eastern wisdom.

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